Jack was Kind
written and performed by Tracy Thorne
produced in association with Jami Floyd
FALL 2020
"How could you just sit there?"
For 10 years, that’s what they’ve asked Jack’s wife.
Well, now she's talking.
All For One Theater, in association with WNYC's Jami Floyd, presents a brand new solo play about our complicity in oppressive systems intended to keep us silent.
Jack Was Kind gives an imagined, painfully human backstory to an actual American event that will affect the country for generations to come. This intimate, confessional story examines long-seated issues of privilege and complicity at the core of America, as well as our current and explosive political moment.
Each performance of Jack Was Kind includes an integral conversation with the playwright and a guest on complicity in American power structures.
September 16 - October 10, 2020
Wednesdays - Saturdays
TWO SHOWS ADDED!
Friday, October 16
Saturday, October 17
8:00pm
LIVE on Zoom
Written and performed live by Tracy Thorne
Directed by Nicholas A. Cotz
Consulting Producer Jami Floyd
“A nerve-racking 70-minute monologue of timeliness and Greek-drama intensity.
Tracy Thorne’s performance is terrifying.”
Jesse Green, The New York Times
(Read full article featuring Jack Was Kind and Karen, I Said)
“Stealthily chilling.”
Scott Heller, The New York Times
Post-Show Discussion Guests
As we workshopped Jack Was Kind, it became evident that the emotional experience of this play demands immediate and deep conversation about the structural forces that serve the powerful and displace the oppressed. Directly following each performance of Jack Was Kind, playwright Tracy Thorne and a special guest will participate in a moderated discussion on personal complicity within American power structures.
AFO has previously pledged to include the voices of BIPOC individuals in all of our work. Because Jack Was Kind focuses on one white upper-class family and how their decisions will affect the lives of Americans for generations, we are deliberately including thought leaders of color in these conversations to examine the play incisively and discuss how our own personal choices can make a similarly indelible impact, whether positively or negatively.
Wednesday, September 16
Jami Floyd
Senior Editor of WNYC’s Race & Justice Unit
Former host of All Things Considered
Thursday, September 17
Diana Oh
Playwright/Musician/Performer
Recent shows: {My Lingerie Play}, Infinite Love Party
Friday, September 18
Jonathan McCrory
Artistic Director of National Black Theatre
Saturday, September 19
Jacob Padrón
Artistic Director of Long Wharf Theatre
Founder and Artistic Director of The Sol Project
Wednesday, September 30
Arun Venugopal
Creator & host of Micropolis
Contributor to NPR's Morning Edition & All Things Considered
Thursday, October 1
Charles Browning
Actor/Educator/Director
Drama Desk Award Nominee, Fairview
Friday, October 2
Beto O'Byrne
Playwright/Director/Producer
Co-founder of Radical Evolution
Saturday, October 3
Mia Mask, Ph.D
Author of Divas on Screen: Black Women in American Film
Professor of Film at Vassar College
Friday, October 16
Celeste Headlee
Communication and Human Nature Expert, Award-winning journalist, and Author
Wednesday, September 23
Tanya K. Hernández
Author of forthcoming book On Latino Anti-Black Bias: "Racial Innocence" and the Struggle for Equality (Beacon Press)
Thursday, September 24
Meropi Peponides
Director, Artistic Development & Producing at Soho Rep.
Co- Founder of Radical Evolution
Friday, September 25
Sophie Hoyt
Theater Artist
Saturday, September 26
Chanelle Benz
Author of The Gone Dead &
The Man Who Shot Out My Eye Is Dead
Wednesday, October 7
Villy Wang
Founder/President/CEO, BAYCAT
President of The San Francisco Film Commission
Thursday, October 8
Tony Phillips
Chief Content Officer, Broccoli Content.; Former VP WNYC Studios & Commissioning Editor at BBC World Service & Radio 4
Friday, October 9
Vinson Cunningham
Staff Writer at The New Yorker
Staff Assistant at the Obama White House
Saturday, October 10
Adaora Udoji
Storyteller
Saturday, October 17
Leah C. Gardiner
Obie Award-winning director
TRACY THORNE (Playwright/Performer). Tracy Thorne’s play, We Are Here, received its world premiere at New York Stage and Film and was also produced at the Contemporary American Theater Festival. We Are Here was nominated for the Susan Smith Blackburn Prize and is published by Dramatists Play Service. Tracy's play, Good Children, was developed and workshopped at Page 73 and New Georges, then subsequently produced at Connecticut Repertory Theatre. The Nature of Things, was developed and workshopped at SohoRep and nominated for the Kilroys list. Another play, True Love, was a finalist for both Leah Ryan’s FEWW and the Susan Glaspell Award and also a nominee for the Kilroys list. Other plays include Will and Testament, A Ridiculous Trade, Quick Bright Things and Do I Ever Cross Your Mind?, which had an awesome workshop at Rattlestick recently. Tracy’s plays have received workshops and/or readings at various American theatres–Manhattan Class Company, The Cherry Lane, New York Stage & Film, Florida Stage, The Lark, The Dramatists Guild and WP Theater–to name a few. Tracy is a recipient of the Elizabeth George commission from South Coast Rep and has been a member of the SohoRep Writer/Director Lab, Page 73's Interstate 73 writers group and, also, a playwriting fellow at The Lark. She’s written a screenplay called Natural History and two TV pilots, "Lucy Lives Uptown" and "Iris." Tracy worked as an actor in New York and London, collaborating with directors such as Matthew Warchus, Phyllida Lloyd, Anna Deavere Smith and Tony Kushner. So too, she’s appeared in some movies and on TV. Tracy studied History at Smith College and is a graduate of The London Academy of Music and Dramatic Art. She lives in Harlem USA with her family.
NICHOLAS A. COTZ (Director) has produced and directed in New York, Los Angeles, and Europe. Favorite directing projects include Gideon Irving's My Name is Gideon at The Brick in Williamsburg, and the NY Times Critic’s Pick rogerandtom at HERE with Personal Space Theatrics. Recent producing credits with AFO include: Irving's Songs, Space Travel, and Everything in Between at the 2016 Edinburgh Festival Fringe, winning ThreeWeeks Editors’ Award; Irving’s I’m Probably Going to Die Eventually at Rattlestick; the NY Times Critic's Pick The Brobot Johnson Experience, by Darian Dauchan (co-produced with The Bushwick Starr); the NY Times Critic's Pick Open, by Crystal Skillman; and Lizzie Vieh's Monsoon Season both at the 2019 Edinburgh Fringe and in NYC at Rattlestick Playwrights Theater. Cotz holds an MFA in directing from Brooklyn College and was a Manhattan Theatre Club Directing Fellow. nicholascotz.com
JAMI FLOYD (Consulting Producer) is the Senior Editor of WNYC’s new Race & Justice Unit, the former host of WNYC’s “All Things Considered,” and the Legal Editor in the WNYC Newsroom. In a journalism career that spans two decades, Jami has worked on everything from breaking news, to exclusive interviews, to long-form investigations. She spent nearly a decade at ABC News, serving in various capacities, including Law & Justice Correspondent. Over the years, Jami has appeared as an analyst on many news outlets including CNN, Fox News, NBC, MSNBC, and PBS. She has won numerous awards and, in 2015, she was named a Public Scholar by the New York Council for the Humanities, for a two-year term. Jami has had countless in-depth conversations with news makers, most memorably Hillary Rodham Clinton, Donald J. Trump, former Illinois Gov. Rod Blagojevich, and Myrlie Evers-Williams, the widow of slain civil rights leader Medgar Evers.
©2020. This live video broadcast is produced by special arrangement with United Talent Agency and Tracy Thorne. All rights reserved. This performance is authorized for non-commercial use only. By viewing this live broadcast, you agree not to authorize or permit the video to be recorded, copied, distributed, broadcast, telecast or otherwise exploited, in whole or in part, in any media now known or hereafter developed.
WARNING: Federal law provides severe civil and criminal penalties for the unauthorized reproduction, distribution or exhibition of copyrighted motion pictures, videotapes or videodiscs. Criminal copyright infringement is investigated by the FBI and may constitute a felony with a maximum penalty of up to five years in prison and/or a $250,000.00 fine